Monochromatic & Analogous
Value Studies in Watercolor
Many if not most artists consider value to be the most important element in a successful painting. Executing correct values within a painting provide structure, form, and focus to a composition, even if the colors we use are not true to life. In this lesson, we step outside traditional value studies to explore how the colors we use impact the values of our paintings.
This 18-page lesson focuses on the importance of value in watercolors. It contains visual examples, 16 limited color palettes with information on how to arrange your own at home, and a step-by-step lesson project. It includes a copyright free reference photo (taken by myself) and line art, which can be printed and transferred for the project.
This lesson assumes that you are familiar with traditional value studies in watercolor. It also assumes that you have at three watercolors that are of similar hues, such as a light blue (like Cerulean), a mid-valued blue (like Cobalt or Ultramarine), and a dark blue (like Indanthrene). The project itself is worked in three distinct layers, with an additional adjustment layer if desired.
Overview
Difficulty: Beginner to Intermediate
Topics & Techniques: Value, Watercolor Pigment Properties, Monochromatic & Analogous Color Palettes
Project: Night Heron in Four Value Layers
Reference & Line Art: Night Heron (included)
Total Pages: 18
Supplies
-
Watercolor Paper
-
Watercolor Brush
-
Two Water Containers
-
Reusable Rag or Paper Towels
-
Heat Tool or Hair Dryer (if desired)
-
Three analogous watercolors in distinct values
-
Pencil and a method of transferring the line art (light tablet, grid method, etc.)